The article describes the essence of the literary aesthetics of postmodernism and emphasizes its formation period and analysis in the world literary-theoretical thought. In the end of the XIX century and the beginning of the XX century, a new tradition of rejection of classical forms in literary-cultural thought, universal art and philosophy has been revealed. The process of deconstruction, the destruction of templates, and the process of reconstructing of the theory itself have created a postmodern thinking style. Postmodernism has a method of timelessness or subjectivization. Here people act like they are working according to their own calendar instead of the year, month and the hour that all the people around the world work. Here the history doesn’t mean “the past” as we think it is. Human is not in the time, but time is in the human. As everything is in the flow of consciousness, human emotions and thoughts can also be infinite. Borders, molds and barriers are taken out. The will of human is consciously directed towards the divine point of intuitive sensibility that can comprehend the world. In this direction, the world is aligned, united and integrated with all "anti" and paradoxes. In all these processes, "mastership" of a systematization, creation, unification, redistribution, distortion and chaos creates a new literary-aesthetic look – postmodern aesthetics.
The difference of postmodernism from other literary-aesthetics "ism"
Keywords: modernism, postmodernism, modern thinking, recession of art, tradition of rejection of classical forms, deconstruction, construction theory and etc.